The work of Portishead co-founder the musician-producer, this sharp-edged though slight first film turns a sceptical eye on 90s rave culture. Venal drug user David (Marc Bessant) initially steals from an passed-out supplier, then in another flashback tries to break into his own family home. Before you can say, he's upside down in the wreckage of his car in a forest – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward city dwellers, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Confrontation
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The central theme – that the rave-era youth were primarily out for number one – is firmly made. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher turns up, enraged after David strangles his dog. Nevertheless, a grimly amusing standoff unfolds – David desperate to escape; the Woodsman withholding his jerrycan of cider, intent on dousing him instead in resentful talk. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Sensibility
There is only one important plot development, but it results in a hilariously staged rampage on the woodland paths that veers toward rural terror. Filmmaker John Minton at last unleashes with his showy imagery: where he was focused intently doing impressionistic closeups of insects in the light in the early stages, he now lets rip with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
The film is in UK and Irish cinemas from November 17.
